It’s the big question as a new trailer for The Fargo opens in the UK and Canada.
The film, about the murder of an African American family, opens in cinemas on Saturday (May 2) and will be shown on Sunday (May 3) in the US.
But how will the film compare to the blockbuster blockbuster that came before it?
The Fargo trailer, by the way, was shot in Atlanta.
There are plenty of similarities between the two movies.
It’s set in the 1990s Atlanta area, with an African-American family.
The story is about an unlikely friendship between a woman named Mel and a drug dealer named Walter.
But the similarities are less about what’s happening onscreen than how they’ve been portrayed by director Martin McDonagh.
The movie is about a murder.
The characters are African American.
The family is mostly white.
There’s no real black protagonist.
It’s also about the people involved.
It tells a story about the power of family, friendship and friendship’s power to bring people together.
And it’s about race.
In the movie, the main character is Walter, a white man who has to protect his young daughter from a vicious gang of black criminals.
He does it with the help of Mel, an African woman.
But the film doesn’t reveal whether the two women have any relationship.
That’s because the film was filmed in Atlanta, a city where racial tensions were high and the murder rate was high.
Fargo is set in an Atlanta suburb called Fayetteville, in a place where racial tension was high in the early 1990s.
It has an African community in which Mel and Walter are living at the time, and they have a close relationship.
And they are part of the same family.
There’s a black man who is a heroin dealer and a black woman who is an alcoholic who are friends.
There is also a white woman who goes to church with Mel.
There is a white mother and a white father who are working at a farm in the same area.
It is a town that’s largely white, with a lot of people of African American ancestry.
Fayetteville is also one of the cities where black people are most likely to be killed.
The city has a history of violence.
In 2012, more than 1,400 people were shot and killed there.
Fellow Atlanta native Martin McInnes, who co-directed the film, says that was the story that the audience needed to know about.
He told the BBC that it was a story that resonated with them.
“I think the film had to do with that story of the relationship between Walter and Mel, and the idea of the power that it has,” he said.
“There was also a big story about that family that has gone through this trauma.
There was a lot about that that we couldn’t really reveal in the trailer.”
McInnes said he thought it was important to create a world that was “as real as possible”.
But it was also important to tell a story “that’s not just about the violence and the violence against people of colour”, he said, adding that the film didn’t go too far with any racial stereotypes.
“It’s not a film that is going to be about all white people.
It is a film about the love and love of family,” he explained.”
Fargo” was a film shot on a budget of around $150,000.
It was made with a budget that could have gone on to a film like The Hurt Locker, which is $600,000.
“The trailer, however, was the biggest financial hit of the three films.
It brought in about $30 million, but it was only a small part of a $1 billion production budget.
The Fargos also received glowing reviews, and in a few years, they would be seen as a kind of cultural touchstone for the country.
They became one of Hollywood’s biggest box office draws and were nominated for three Oscars.
It was an extraordinary success for Martin McIngnes, but the film did not make the cut for the Oscars.
In an interview with BBC Radio 5 live in January, McInns said that it wasn’t the most compelling movie of the year.”
He added that the critics were very harsh, and it was probably “one of the most critical films of the century”.”
We had to tell the story of what the movie is and it’s not the best film of the decade.”
He added that the critics were very harsh, and it was probably “one of the most critical films of the century”.
The movie was nominated for six Oscars, including Best Picture and Best Director.
McInns was also the one who picked up a lifetime achievement award in the category of Best Cinematography.
McIngnes said the film wasn’t a direct response to the shooting death of Trayvon Martin in Florida.
He also told the ABC that he didn’t think it